working it.

There’s no easy way to explain this, the amount of work, luck and good fortune that goes into a lovely combination of producer interest, agenting, and studio support. Everybody has to invest time and energy and smarts and faith in creating a new possibility.

On the afternoon AB Chao was flying to Los Angeles, hours after I’d gotten off the red-eye from running the marathon, I was pitching a sitcom. A pitch is a twenty-or-so minute song-and-dance where I outline the themes, characters, and world of a show. I explain how it would be funny, how the characters interact, and why people would want to watch more than once. A lot more than once. And why a network should take a chance on purchasing that sitcom.

During the pitch there are people all around me. Producers, agents and execs — Team Pam — there to show support, to talk up me and the project before I start my speech, who explain why they’re excited and therefore think the network should get excited enough to pony up and take this property off the market. Continue reading