From LA Weekly:
The Working Poet Radio Show
7:00 p.m. June 4
Los Angeles Central Library
Mark Taper Auditorium
Whether it’s Twitter, YouTube or Instagram, digital media are changing the business world, one click at a time. The whole concept of sharing has swiftly become more than social, and if you’ve seen Jon Favreau’s latest film, Chef, you’ll understand how quickly your Twitter game can change your career. Enter The Working Poet Radio Show, a new monthly radio and television talk show sponsored by the Los Angeles Public Library, which seeks to explore the lives of creative people. The June 4 show, “Working With Humor,” will focus on comedians and how digital media are changing their professional lives. Sit with the live audience and listen as L.A. success stories Flula Borg, a German techno DJ; Key & Peele director Jay Martel; and best-selling author Pamela Ribon discuss how humor has changed because of social media. “It’s such a struggle for people to get to where they want to be,” says show host (and L.A. Weekly contributor) Joseph Lapin on the struggle to be successful while maintaining creativity. “This show appeals to those who want to be creative.” Mark Taper Auditorium, Central Library, 630 W. Fifth St.; Wed., June 4, 7 p.m.; free. (213) 228-7338, theworkingpoetradioshow.com.
— By Kellyn Kawaguchi
Posting my Austin Film Festival info here for those of you who I want to see, need to see, or hope to see next week. When I’m not at these places, I’m probably in the Driskill lobby, or wherever Chuy tells me to be. Austin, please get your breakfast tacos and Mexican Martinis all in a row because I have only so much time to eat and drink between these fun things:
Today’s weekly procrastination is making me have to use the tl;dr shorthand, which I only recently looked up as I’d never had to learn it before, because I don’t believe in its philosophy. (What if it was good, and you would’ve been so happy to have read all those words? Why so much judging on length alone? If you’re so busy, what are you doing screwing around on the Internet, anyway?)
The tl;dr answer is in this entry’s title, but here’s the letter in full (I’ll bold the parts where she’s asking her questions):
I think I wrote this while on an airplane.
“i am working on an essay about nail polish while the lady to my right is editing her documents that attempt to change the FBI’s definition of rape in order to get more rape kits ordered.
… i have done something wrong w/ my life.”
I was driving home from a features meeting yesterday listening to Scriptnotes, a podcast by Craig Mazin and John August. If you are an aspiring screenwriter and you haven’t found Scriptnotes yet, I highly encourage it. Craig plays the cranky rich guy who grumbles when a screenwriter finds this job hard while John soothes with his kind voice and gentle encouragement. I think it’s the kind of balance you need inside your brain if screenwriting is the kind of thing you want to do to your life. (“Oh, just shut up and write, you whiny baby! …and good luck, you can do it!”)
Lately Craig and John have been taking a few minutes out of their podcast to ponder why there are so few women in this industry. As a woman who had just taken two general meetings that day in features, slammed in the middle a week of no less than five TV sitcom pitches, I wanted to shout back, “I’M TRYING, GUYS.” Craig and John gave some stats based off their own recent inquiry for submissions — only 12% of the writers who sent them pages were female — and with less than a third of Nicholl submissions coming from women and only around a quarter of working screenwriters with the Guild being female, they eventually somewhat concluded: “I guess they just aren’t as interested.” And then I got really bummed out.
I’m sitting on the couch working on a script that’s due, waiting on the phone to ring with some work-related answers, including the latest on how the film rights are going for You Take It From Here. I’m flattered and relieved that there’s interest. Things are moving forward (yet creeping along).
One of the questions I’m inevitably asked about a project, and one that I always dread, is about casting. I’m always asked, “Who do you see playing this role? What’s your dream cast?”
I don’t mind the writing, the outline, the pitching, the waiting. But since it’s always such a long shot that anything would ever get the greenlight, I long ago stopped trying to mentally cast things in my head. Why get myself even more hopeful for something that probably won’t/can’t happen? I’m always so grateful and happy to hear when an actor or actress is interested in a property or attaching to a project, and I think it’s an effortless happy partially because there’s no name or face to knock off my dream list for that person to stand there.
Today’s Weekly Procrastination came from an email out of last week’s comments section, and is a little out of my wheelhouse. So I enlisted the help of my longtime friend Kat Candler. Kat and I met at the Kansas City Film Festival what feels like six million years ago, and I’ve watched her grow into a breathtaking badass.
It also speaks to the caliber of person she is that when I asked if she would help me answer this week’s question, she took time out of her hectic schedule not to just jot off a quick line or two, but go the extra mile like the teacher she is. She’s amazing like that.
First, our question:
Aspiring television writers! Curious-about-writers people! Those of you sitting there thinking, “Uh, I know pamie doesn’t have a pilot, she’s not staffed, her latest book is turned in… so what the eff is she doing not updating pamie.com?”
Today’s Weekly Procrastination is for you.