Samantha Who? Returns: March 26th, 8:30/7:30c

Oh, thank God, we are back on the air. But only for like, six weeks. So, tell your friends! Tell everybody. Please. Aren’t you sick of my constant twittering and my sad youtube posts yet? Save me from unemployment. Please put us all back to work with lovely, lovely ratings.

I’m embedding the promo, which I never do because I don’t ask you to watch commercials, but I was so excited to see so many little clips from the episode I wrote (“THE DOG,” airing April 2nd), including that “record-scratch” moment where the talented Jean Smart talks about Samantha’s biological clock. I wrote that joke! It somehow lasted from first draft! That never happens! Seriously!

[Future Pam editing this page says: “Aw. This is sad, how you can’t even see the old promo anymore.”]

Some of you are like, “Dude, weren’t you working on that joke like, a million years ago?”

Yes.

Ain’t Hollywood fun?

[Oh, and my friend David was published in Nature, which is way cooler and much more important than anything I’ll ever do in my entire life. He’s awesome.]

waiting.

Lots of waiting.

I turned in the final draft of Why Moms Are Weird: The Sitcom to ABC last Thursday. Today, we are supposed to learn its fate. Will they want to shoot the pilot?

As I sit here, staring at my cell phone, waiting, I realize I’ve been gone from this site for a very long time. I’m sorry to have neglected you. Life has been taking over… well, my life. Continue reading

my thanksgiving plans… and my december plans.

“Okay, so those are our notes, and we just want you to keep them in mind while you’re off and writing. Good luck. And we’re excited to read your script!”

That was ABC. After rounds of outlines with producers and more producers and the studio and now the network, it’s time for me to sit down and make this pilot script actually exist. Here goes.

working it.

There’s no easy way to explain this, the amount of work, luck and good fortune that goes into a lovely combination of producer interest, agenting, and studio support. Everybody has to invest time and energy and smarts and faith in creating a new possibility.

On the afternoon AB Chao was flying to Los Angeles, hours after I’d gotten off the red-eye from running the marathon, I was pitching a sitcom. A pitch is a twenty-or-so minute song-and-dance where I outline the themes, characters, and world of a show. I explain how it would be funny, how the characters interact, and why people would want to watch more than once. A lot more than once. And why a network should take a chance on purchasing that sitcom.

During the pitch there are people all around me. Producers, agents and execs — Team Pam — there to show support, to talk up me and the project before I start my speech, who explain why they’re excited and therefore think the network should get excited enough to pony up and take this property off the market. Continue reading